We just keep all of our S-mesh (literally all we print with for the last 2 years, for both plastisol, wb and most flatstock) at recommended tension which averages around 24n, not far above the "danger zone" of low tension although some, like the 180/48 are happy as high as 32n.
I don't think low tension is ever good but thin thread, high open area meshes do tend to run at low-er tension as the industry hasn't advanced far enough in mesh thread construction to allow the thin threads to hold up to the brutality of higher tensions...or maybe we're all just too cheap to pay for it, hard telling.
The reason tension seems like less of an issue with WB printing is that you are printing on contact and it's the heightened o.c. of low-tension frames that causes so much of the issues with them. It's not really about tension, it's about tension opening the door to lower o.c. which increases accuracy all around. When you are right on the damn substrate it appears as a non issue.
But, just to toss this out there, you "get away" with more using WB as it has much less gain than plastisol. I wasn't expecting that when we started and was braced for a lot of wicking but it is minimal. So minimal, I find butt reg to be an occasional issue on simple spot color jobs as there' just no wiggle room from the gain. (see thread I just posted on this and spreading/choking)
The ideal WB screen would be a non existant one featuring massive open area and ultra high tensions on a non-existant, perfectly calibrated machine. You would print at this whisper thin o.c., getting all the penetration/saturation needed yet enjoying the optimal peel of a ultra high tension screen for very crisp definition.
Just my rambling thoughts on the matter.