Opportunity is missed by most people because it is dressed in overalls and looks like work. - Thomas Edison
Hey Austin! I did see this the other day. it looks fantastic. Busy season here so not much time. Can't wait to see how this turns out for you. My advice, skip the pin bar / carrier sheets etc and build a FPU / light table jig for your screens. That way you tape the films directly onto the screens in registration rather than dealing with the carrier sheets. The work on this will pay off very quickly. Glad to see it coming along. Make sure to post pics as you progress!
Brazing would work for sure. There is also a product out there called allumiweld that is supposed to work well. I didnt want to mess around with introducing heat to it, so I just drilled / tapped / countersunk everything. Just use good titanium coated taps / countersinks and really scribe / measure everything out exactly. The spring stops have a surprising amount of force behind them, I had to oval the holes a bit on mine because of mismeasurment. I also had to use spacers to get the height correct.If you're on an early gauntlet like mine (which i think you are), you will fight the front frame holder flex. We have found that if you unlock the micros between setups and push the frame forward towards the center of the press it will "reset" and the pre reg will be pretty close to dead on. But the flex does really eff with things. In either case, we are still running 5-10 multi color setups on it each day, which would be impossible without pre reg. On the lighting, Mimosatexas is right on this one. We just took a low wattage, low profile LED strip from lowes and placed it in the back. It hasn't messed with our exposure times at all, and we have been fine with it. Normally we don't have a screen on there for any more than a few 20 seconds or so, but we have left a screen or two the FPU for maybe 30 minutes once with the backlight on and it still exposed without issue.