Author Topic: Lady A Discharge  (Read 1152 times)

Offline tonypep

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Lady A Discharge
« on: November 02, 2012, 02:14:55 PM »
9 colors if I remember right all DC. Found it when cleaning out the memory in my camera.


Offline Dottonedan

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Re: Lady A Discharge
« Reply #1 on: November 02, 2012, 02:38:59 PM »
That is well executed. What line screen was that?  Seems flawless.


Print sequence Dark to light or light to darK?


What mesh?
Artist & high end separator, Owner of The Vinyl Hub, Owner of Dot-Tone-Designs, Past M&R Digital tech installer for I-Image machines. Over 35 yrs in the apparel industry. e-mail art@designsbydottone.com

Offline tonypep

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Re: Lady A Discharge
« Reply #2 on: November 02, 2012, 02:56:55 PM »
65 line 355 mesh..........all the fleshtones and the browns first, black wb, hi white, and low mesh white which crushes the dots together to get the continuous tone. Pretty much nailed it first time. Had to tweak the dark brown and add 1.5% activator. She loved it. There was a high degree of luck on that one.

Offline Nation03

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Re: Lady A Discharge
« Reply #3 on: November 02, 2012, 05:21:08 PM »
Do you just do a DC underbase and then print waterbased on top? or the colored inks are dye discharge?

Does it make a big difference or can you get good results doing DC UB with waterbased over print?

Awesome print by the way.

Offline Nick Bane

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Re: Lady A Discharge
« Reply #4 on: November 02, 2012, 07:09:11 PM »
Awesome print!  I really miss doing that kind of work all the time.
Bane Ink - 619-701-4283

Offline tonypep

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Re: Lady A Discharge
« Reply #5 on: November 05, 2012, 11:06:43 AM »
This is dyed (re: pigmented) discharged inks. This yields the absolute softest hand and minmal dot gain and edge definition. A DC base is not necessary. The shirt was not flashed at all. A DC base with plastisol overprint would be option B and good enough (and easier) for most but here we were going for the "wow" factor.