Author Topic: tone on tone  (Read 3526 times)

Offline Croft

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tone on tone
« on: September 23, 2013, 08:36:18 AM »
I remember seeing a post on "tone on tone " look on multiple colours of shirts and the person I think used a base with 5% black but not 100% sure. Tried a search but couldn't find. Any help would be appreciated.


Offline mimosatexas

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Re: tone on tone
« Reply #1 on: September 23, 2013, 10:06:35 AM »
Can you explain a little more what you mean.  I'm not familiar with the term "tone on tone".

Offline Croft

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Re: tone on tone
« Reply #2 on: September 23, 2013, 10:30:38 AM »
there was a post with a pic of 4 or 5 different tee colors , and the image behind the main design was the same colour this base + black? but on each color shirt it looked like a darker version of the shirt colour so for example red tee with a dark red shadow , dallas green tee with dark green shadow etc

Offline Croft

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Re: tone on tone
« Reply #3 on: September 23, 2013, 10:31:11 AM »
there was also a formula for the mix in the post

Offline shellyky

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Re: tone on tone
« Reply #4 on: September 23, 2013, 10:36:09 AM »
discharge or plastisol?  like you said, it could be archived with a 5-10% halftone dot of black...we'd done that before for tone on tone

Offline starchild

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Re: tone on tone
« Reply #5 on: September 23, 2013, 10:47:16 AM »
That post was by Tonypep if that helps..

Offline Croft

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Re: tone on tone
« Reply #6 on: September 23, 2013, 10:49:34 AM »
plastisol , thanks for the post info , I'll look again 

Offline JBLUE

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Re: tone on tone
« Reply #7 on: September 23, 2013, 10:53:34 AM »
We print these all the time. I know I posted something up but cant find it. We use anywhere between 5-20% color and the rest soft hand clear or curable reducer depending on the effect we want. 90% of the time it is a transparent white or transparent black that we mix. On tri blends and 50/50's you can also play with the heat to get it to sublimate into the ink a little bit more adding to the effect and make very difficult for other printers to replicate.

It produces a waterbase type feel with very little to almost no hand on the print. Use high mesh counts and triple duro blades for the best results.
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Offline Croft

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Re: tone on tone
« Reply #8 on: September 23, 2013, 10:56:15 AM »
We print these all the time. I know I posted something up but cant find it. We use anywhere between 5-20% color and the rest soft hand clear or curable reducer depending on the effect we want. 90% of the time it is a transparent white or transparent black that we mix. On tri blends and 50/50's you can also play with the heat to get it to sublimate into the ink a little bit more adding to the effect and make very difficult for other printers to replicate.

It produces a waterbase type feel with very little to almost no hand on the print. Use high mesh counts and triple duro blades for the best results.

Thanks I'll  give it a try

Offline Frog

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Re: tone on tone
« Reply #9 on: September 23, 2013, 11:02:05 AM »
We print these all the time. I know I posted something up but cant find it. We use anywhere between 5-20% color and the rest soft hand clear or curable reducer depending on the effect we want. 90% of the time it is a transparent white or transparent black that we mix. On tri blends and 50/50's you can also play with the heat to get it to sublimate into the ink a little bit more adding to the effect and make very difficult for other printers to replicate.

It produces a waterbase type feel with very little to almost no hand on the print. Use high mesh counts and triple duro blades for the best results.

I think that the thing that made this particular post and pics was that rather than the usual mixing of a based down similkar color of the shirt, these guys used the same mix on an assortment of shirts.

I think that it was probably a black, so that the each shirt took on a "seeing the near phantom image through gray sunglasses" look.
It also was only a component in the overall design, as the background.

My use of this has always been standalone, and yes, enjoyed a mild popularity when the soft hand demand first broke.
That rug really tied the room together, did it not?

Offline kingscreen

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Re: tone on tone
« Reply #10 on: September 23, 2013, 11:07:54 AM »
Scott Garnett
King Screen

Offline Grumpy Ole Artist

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Re: tone on tone
« Reply #11 on: September 23, 2013, 11:18:27 AM »
Simply print un colored base...works on just about any color...Looks cool as a background element. Makes a color a few shades darker than the shirt color (tonal)
Humor is the unexpected juxtaposition of incongruities.

Offline Frog

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Re: tone on tone
« Reply #12 on: September 23, 2013, 12:01:17 PM »
Okay, Tony's was discharge. (shoulda' known)
All bets off as plastisol application except as already noted.

Maybe someone has some plastisol examples to post.
That rug really tied the room together, did it not?

Offline starchild

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Re: tone on tone
« Reply #13 on: September 23, 2013, 02:39:20 PM »
Lon winters has a video doing this with plastisol white mixed with 50% curable reducer-

Faux Water Base Screen Printing Effect


In this vid he uses 30% white and 70% curable reducer (he did the actual mixing in part 2 of the vid at the ending)

Screen Printing seminar with Graphic Elephants - Part 3 of 5
« Last Edit: September 23, 2013, 03:17:29 PM by starchild »

Offline Ryan

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Re: tone on tone
« Reply #14 on: September 23, 2013, 03:20:05 PM »
we mix white with curable reducer to print on the darker color shirts, usually 50/50 ratio or less (more curable reducer), for lighter color shirts, we will often go with curable reducer and black though the quantity of black is far less than we use on white, 10% or less. The white gives a better tone on tone look in my opinion as the black mix still will have the grey tone to it. Suggest mixing up different ratios and see what you like
~Ryan