Opportunity is missed by most people because it is dressed in overalls and looks like work. - Thomas Edison
This is for Tony PHow to print Snuggies. Well these are actually larger than Snuggies. Theare literally the size of a queen size bed. For Sorority outings.
POSTED FOR TONY:I try to pre-engineer all our sim process stuff but this one got away from me. The first picture will show the first attempt. The car on the bottom is unacceptable. So the films are laid out on my huge light table. My first thought is we need to re-sep. Then after some careful study I see what he’s trying to do. The bottom Camaro prints with a fairly solid 80% halftone the highlighted and shadow with yellow, red, and brown. Switched two screens and added a second flash to keep it clean and bam out of the park. They were printing the solid orange over the accent screens hence the mottling. The second picture depicts the fix.
Scott,Thats a nice job. POP! of course. Who was that for? The brand/label I mean. Not the pint customer.
Hot off the press.. Looks super bright in person. (the photo doesn't do it justice)The goal of this shirt was to give the illusion of lots of neon colors using only 2 flouresents.6 color separation1. base white2. blue plastisol pantone3. green plastisol pantone4. flourescent orange5. flourescent red6. top white
Quote from: myseps on November 01, 2011, 04:24:46 PMHot off the press.. Looks super bright in person. (the photo doesn't do it justice)The goal of this shirt was to give the illusion of lots of neon colors using only 2 flouresents.6 color separation1. base white2. blue plastisol pantone3. green plastisol pantone4. flourescent orange5. flourescent red6. top whiteWhere's the glow in the dark? Might as well with all that going on. Looks rad Scott. I think your ability to sep art like this, using fluoro's which are a big variable, zip it off to the printer and have this result shows a lot of chops and savvy. Do you have a dedicated printer or did this clothing co. have you run the seps and send to theirs? Just curious on what level of integration you have as the separator with the original artist, the company selling to end users and the printers. I mean, do these guys approach you saying something like "we want this art to scream in neon colors using plastisol on rinspun 40/1 cotton Ts, colors need to be "x" or less" ? I ask because if I saw a concept like this I would be so full of questions and focused on locking down all my variables and guiding the client into the right choice for them and for us as printers. A lot could have gone very wrong with a print like that.
Quote from: Dottonedan on November 01, 2011, 04:16:58 PM POSTED FOR TONY:I try to pre-engineer all our sim process stuff but this one got away from me. The first picture will show the first attempt. The car on the bottom is unacceptable. So the films are laid out on my huge light table. My first thought is we need to re-sep. Then after some careful study I see what he’s trying to do. The bottom Camaro prints with a fairly solid 80% halftone the highlighted and shadow with yellow, red, and brown. Switched two screens and added a second flash to keep it clean and bam out of the park. They were printing the solid orange over the accent screens hence the mottling. The second picture depicts the fix.I agree with Ink but what do I know. lol. The bottom pic looks more flat to me though.Not sure what I am missing but I like the top picture better?
I agree with Ink but what do I know. lol. The bottom pic looks more flat to me though.
Not sure what I am missing but I like the top picture better?