"He who marches out of step hears another drum." ~ Ken Kesey
Nice vid I never understood how 12 colors is better than a 4 color process in a production facility. Can someone explain to me what the advantage would be actually using 12 colors opposes to say 6? Seems like a ton of work. RT Screen Designs www.rtscreendesigns.com
Nice video. Did you see the flood bars and squeegees on the first press? Is that a double winged attachment or something?"over 700 thousand shirts in the last 60 days" Just under 12 thousand a day. Nice...
Nice vid I never understood how 12 colors is better than a 4 color process in a production facility. Can someone explain to me what the advantage would be actually using 12 colors opposes to say 6? Seems like a ton of work. Sweets to answer your question more control of the colors being printed, even thought process can make a ton of colors you tend to lose contorl of some, and process my not give you that exact color you might be looking for.Darryl
One reason that his stuff is so sharp is that he uses an old school Imagesettter
Quote from: tonypep on December 03, 2012, 11:05:30 AMOne reason that his stuff is so sharp is that he uses an old school ImagesettterBINGO! No comparison when doing extremely high end work. Some don't see the difference. but it's in the fine details.1 example is dot gain. The dots that come off of a digital printer has gain on it already. Most do not adjust for this before hand. For example, dots are fatter on a 65lpi halftone on a digital print. If you print a 65 lpi on a true imagesetter, many people would be surprised to see that they cannot hold lower than a 10% DOT AT 65LPI. You could, but you would need to re-evaluate your mesh threads, emulsion, exposure times and coating process.