That's a bummer w. the screen breakdown. Print looks good though.
70 or 60/90/60 to prevent the blade contributing to breakdown. You'll get a deeper bend, creating a sort of ink tunnel that will help drive the wb into the fabric. Couple of things you can do:
- Round the squeegee corners.
- Apply emulsion after exposure to beef up the squeegee edges and the start/stop for the blades.
And of course, full exposures. In the middle of 800pcs right now and not expecting a breakdown. Aquasol HV + Murakami hardener MS but any good emulsion suitable for wb will get you there.
I use emulsion to blockout any reg marks, fisheyes, pin holes, etc. so that's reason 1 to post expose but I still think it doesn't hurt to hit your long run screens with 2-3x the original expo time on the squeegee side. I won't hear an argument that this does nothing. Back in the early days I would develop sometimes underexposed screens (using sunlight) gently dry and post expose from the squeegee side and it worked with diazo emulsions so it definitely is doing something to those pure photopolymers which are noted for being able to further cross link in post exposure. Not a substitute for complete exposure though.
Thanks for the great tips:
1. New Squeegees will be ordered most likely tomorrow and we have two 65/95/65 that we will use for this job though I may have a 70 or two lying around.
2. Will increase our exposure a good bit since diazos typically have such a wide latitude to achieve decent exposure
3. When you beef up edges and squeege start and stop points do you do it on squeege side?
4. When I post exposed I had print side facing the light source so it would make sense to flip this over so that the squeegee side gets a chance for some direct light.
5. Going to try some Aquasol HV since so many people speak highly of it. Would CCI's Harden X work with the Aquasol HV?