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Author Topic: Heavy on the 3-d  (Read 6251 times)

Offline Homer

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Re: Heavy on the 3-d
« Reply #15 on: May 17, 2011, 07:08:22 PM »
how many print colors?

oh -and absolutely amazing by the way. . .
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Offline JBLUE

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Re: Heavy on the 3-d
« Reply #16 on: May 18, 2011, 12:04:13 AM »
I use gray scale on all my work and pull the colors out of it.

Care to elaborate on this? I have really wanted to explore this method. By the way killer job!!!!!!!
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Offline Artelf2xs

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Re: Heavy on the 3-d
« Reply #17 on: May 18, 2011, 04:02:42 PM »
Homer, this will be two color like the original with the wrong bullet. White and navy on a med rage blue.... But they have to have American Apparel and the colors are limited.. Shall see.
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I use gray scale on all my work and pull the colors out of it.

Care to elaborate on this?

A grayscale image contains ALL the information. If I wanted to grab the car Minus say the taillights and trim... throw it on a spot channel and make it blue.... then I could use levels or even better control " Curves" to pull the shadow area out allowing black or darks to com through, same with highlights, allowing white to come through and maybe pollute the mid range? to simple of an explanation?
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Offline lemorris

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Re: Heavy on the 3-d
« Reply #18 on: May 23, 2011, 11:23:53 PM »
that's great man.  Thanks for the insight
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Offline JBLUE

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Re: Heavy on the 3-d
« Reply #19 on: May 24, 2011, 12:39:31 AM »
Quote from: Artelf2xs on May 18, 2011, 04:02:42 PM
Homer, this will be two color like the original with the wrong bullet. White and navy on a med rage blue.... But they have to have American Apparel and the colors are limited.. Shall see.
Quote
I use gray scale on all my work and pull the colors out of it.

Care to elaborate on this?

A grayscale image contains ALL the information. If I wanted to grab the car Minus say the taillights and trim... throw it on a spot channel and make it blue.... then I could use levels or even better control " Curves" to pull the shadow area out allowing black or darks to com through, same with highlights, allowing white to come through and maybe pollute the mid range? to simple of an explanation?

In a way its a little confusing. Although I dont claim to be the brightest bulb with this stuff....lol I would love to learn more about it.
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Offline Artelf2xs

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Actual print _ Crappy cell phone picts
« Reply #20 on: June 16, 2011, 06:08:23 PM »
Two color, White & Navy No Flash. $5 dpi on 156 mesh hand press.



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Offline blue moon

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Re: Actual print _ Crappy cell phone picts
« Reply #21 on: June 16, 2011, 06:16:08 PM »
Quote from: Artelf2xs on June 16, 2011, 06:08:23 PM
Two color, White & Navy No Flash. $5 dpi on 156 mesh hand press.






that's a lot of bang for the buck (only two colors)! Looks very nice!
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