Opportunity is missed by most people because it is dressed in overalls and looks like work. - Thomas Edison
Thanks, I read that again.So, I tried this on the Epson 1430 due to my dots seeming too heavy. I entered the values Pierre listed and again, heavier than what I am getting.In fact, I am reading 0% in Photoshop while the film is kicking out a 1%. Now, I know if you have the 0 set at 1, you will get 1% in all areas intended to be white so you don't want to have anything in the 0 location. This is not the case. I have a 0 in 0. So, I opened the art file and adjusted the curves to take out even more. Taking out what could be the 2% in this area. Still, dots come out where it should be nothing (AND), I know my photoshop profiles do tno compensate here also.What gets me, is this RIP, based on how you all are describing to enter the values, It's bass awards. Like, some of or all of the rips I've worked on for dot gain compensation, is like curves in photoshop. You want a 50, you drop the curve to 40 (for example). Here, if you want a 50, you enter what you are getting/reading. If it's a 60, you enter in the 50 spot. BUT, it's not happening for me. Still too heavy. The shadow tones especially. Will look at it more later.