Author Topic: DTS alternatives and status  (Read 12508 times)

Offline mimosatexas

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Re: DTS alternatives and status
« Reply #30 on: October 12, 2016, 02:31:28 PM »
man you're hopeless...

Can you sort of get a screen using an LCD from a standard desktop monitor?  Sure.
Is it at all easier to do or in any way superior to even the cheapest and most basic inkjet setup? Not even close...
Is the resulting screen actually usable for anything beyond the most basic production? Nope.

If you really want to make an LCD unit that would even come close to comparing to a basic film setup, please start researching LCD 3D printers and how that industry has dealt with the pitfalls and issues of this technology.  It should become obvious to you pretty quick with even a few minutes of research that the desktop monitor setup you're describing just isn't going to work very well for our industry.


Offline Full-SpectrumSeparator

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Re: DTS alternatives and status
« Reply #31 on: October 12, 2016, 02:44:20 PM »
Here is another "proof of concept" test result from the LCD exposure method. 

Please keep in mind this is not a "professional quality" test.   

If you understand the physics of how this works, then you will know the difference you'll get with improving the basic elements used.

LCD Monitor panel:   $10 used  1280 x 1024,  11" x 14" AOC monitor...    the actual resolution ends up very low, about 90 Pixels per inch.   

Light:  Lithonia 100 watt metal halide flood light....  $100 but this is because of purchasing retail and with the fixture and bulb in one.    You could probably get a bulb and ballast with the same wattage and cheaper... but you want much higher power for a professional-grade system.

Emulsion:  Speedball diazo


No vacuum, just placed a book over it to hold pressure to the panel.   

Even the glass I'm using that was laying around might be a UV blocking glass, so that might be affecting my exposure time - it was taking minutes for regular screens to expose when I know this metal halide can do it faster perhaps without that glass there.   But after a few tests I simply let it expose for a long time to be sure it wouldnt wash out and I could just make a test print with it.   

You have to realize I don't have $$ laying around to go buy a 4k monitor or a high power 1,500 watt bulb... but I will get to that point and do those tests, or even someone with an existing high-power table can easily see what I'm doing and go buy a 4k panel and test it out themselves with their existing high-power and vacuum exposure tables.     

The attached image is simply showing that I printed ink through a screen and the parts that 'exposed' blocked the ink.   There are still under-exposed parts, but the time it was taking is just not worth it with this amount of power , and besides the resolution is far too low to be useful for normal printing,  maybe large text and shapes, but still this is not an example of a 'professional stencil',  it is showing that you can cure and expose and wash out and print with a screen using this method, and you only need to overcome some very simple variables to bring the exposure time down and make the cure stronger, and to get higher resolutions.

Exposure time was almost 1.5 HOURS.    Now even I will laugh when I see people showing the flood bulbs or halogen bulbs and they expose screens for 45 minutes or an hour etc....   but they are basically doing the same thing as this ultra-cheap LCD method,  compensating for their low-power UV light by having it expose for longer times.     I wouldn't bother with this LCD method for a professional quality screen using the setup I am showing here,  it is only a proof-of-concept setup.   

What I would like to test next is:   1080p panel and then a 4k panel;  500 watt, 1,000 watt, 1,500 watt, 2,000 watts,  whatever power or trying UV LED panels or point-source UV LED, distances and times... whatever it takes to get the time down to a few minutes (Which I have proven before it possibly using UV LED flashlights) --- also I need to be sure the glass I am using doesn't block a lot of UV in the first place.     If you understand all of this then you know it is just a matter of these variables and you can get close to a 300 pixels-per-inch resolution with a 4k monitor and expose within a couple minutes.   

Please think of it this way...    I'm 35 years old,  only been in graphic design for screenprinting specifically for about 12 years,  only did full-time screenprinting manual at a few shops over the last 2 years (although I had experience before, but mostly art department and seps),  have a proven track record for R&D that turns into real products within the separation software realm, (corel, photoshop) -  but I only got into that in 2011, so 5 years in color separation software and programming...    and in October of 2016 is when I basically am back to full-time working from my shop/studio,  actually building my screenprint shop now... so I am just starting my screenprinting adventure, and this is my first exposure table.    Cut me some slack.
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Offline inkman996

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Re: DTS alternatives and status
« Reply #32 on: October 12, 2016, 02:52:02 PM »
Why should anyone cut you slack?  Your first reaction to anything that does not agree with you is to get patronizing and belligerent. You have no humble in you at all. All your threads end up confrontational because that is the direction you lead every single one. If anything you created had merit (which I am not saying is the case) then the merit should stand on its own without having you disrespect anyone and everyone that has doubts. For 35 years old as you stated you have a lack of social skills when dealing with people of the same intelligence level as you. And trust me there is many here that is far more intelligent than you are and you should respect that and listen to what some of them have to say. My own opinion is you are more of a theoretical person than an experimental. Your ideas would probably go much further if you talked with people good at engineering things from ideas someone like may have.
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Offline blue moon

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Re: DTS alternatives and status
« Reply #33 on: October 12, 2016, 03:06:17 PM »
my statements are factual and are not saying anything about the technology not being possible, just that it ha some hurdles to overcome. You seem to be reacting and freaking out any time somebody points out things you don't agree with or have not thought of. You might want to consider sleeping on it before you post any answers in the future.

pierre

LOL!!!!   Now you're taking it to personal attacks.   Again, typical.   This is why I don't bother with this board.     Your statements are not factual, they are unqualified statements that are assumptions about the physical aspects, not facts.

You said:  "something to remember here is that the polarized glass of the LCD display will stop 50% of the light from coming through"    Which LCD panel are you talking about?   Which polarizing film?   Do you think 50% is a factual number associated with the amount of light passing through the LCD, the amount of actual UV, etc etc....  maybe its 25% maybe its 75%,  maybe its 50%,  but you clearly just threw that number out there without doing research or 'qualifying' the statement so it could be considered factual.     Again, it isn't really a hurdle to overcome any more than typical hurdles in exposure based on the tolerances and variables required.     Yes, there is a piece of polarizing film before the LCD and after the LCD, it is how it works,  but simply saying it "will stop 50% of the light" is not a factual statement, it is a generalization that could be way off when you actually qualify it.   

So do you mean 50% of the UV light at the 405nm wavelength will be stopped through a "brand/manufacturer specific" panel, which needs to be specified which one to be qualified, and of this light at a given moment in time from what is reaching the panel to what it coming through the panel, do you know the ratio of how much light is coming through the "blocked" areas of the stencil,  and do you know the comparison to this vs. the amount of light going through a piece of film and what makes it through the blocked areas?     For your statements to be factual you would need to qualify it with all of those actual physical system connections.   Otherwise it is as I stated before, just an assumption you are making.   

Do you understand the ratio between how much UV is passing and how much is being blocked?    The contrast ratio for the LCD might actually be greater than that of "specific film" with "specific ink/rip/density" or compared to DTS with the wax/ink, or with DLP.     DLP probably has the highest contrast ratio, since there is no "blocking" stencil, it is only exposing direct UV Laser or LED light onto the emulsion.   LCD might have the second highest contrast ratio because the "dark" areas might be blocking more light compared to what is passing, comparing with what film or DTS is blocking and allowing to pass.   

You might want to qualify your assumptions before you post them and claim they are factual statements.   :P

just because you are writing long paragraphs, it does not mean you actually understand what you are talking about. LCD blocks 100% of the light. It uses two polarized filters at 90 degree angles. LC bends or leaves the light as is to let it go through or block it. In order to work (depending on the design) you will need at least one polarizing filter and since they block 50% of the light, that would mean only half of the UV would pass thorough. Additionally, some screens might have a UV protective coating that could block almost all of the light.

Again, all said and done, there is no doubt in my mind that this can be done, but how well or is it worth it are the questions. Printing a piece of inkjet film is going to be significantly simpler for most ppl.

pierre

I really can't bother with responding to you anymore Pierre.    It is more than obvious that you don't know how this works, or how easy it is to do. 

First... your statement that LCD blocks 100% of the light is false.    The liquid crystals are arranged so that they PASS THE LIGHT in the OFF STATE.    Therefore without even having the panel on, I can see light passing through, it is TRANSPARENT.   Yes the polarizing filters block some of the light passing,  you overcome this with HIGH POWER like any "professional grade" exposure unit does.   I even get it to cure with cheap lights and low power and just really long times but I'm not saying that is useful or professional grade.      What happens is the charge sent to the crystals jumbles them up so they don't turn the light back 90 degrees and it doesn't pass - that is the ON state which actually makes the pixel block the light.   The amount of power sent is how they get a variation in how much light is blocked (percentage of the crystals jumbled up vs. arranged to pass the light)


The polarizing filters are already UV blocking but not 100%, so it works.    You don't need another polarizing filter. 

It doesn't matter one bit to me if you have doubts in your mind that it will work,  because it already does, LOL!   

HILARIOUS!!     And then people laughing about you not even reading my post... but you respond???   Do as you say, not as you do?    Why should I bother reading your posts anymore then?   

Just like with the color separation stuff, you think you know what you're talking about but you fail to comprehend the most basic and fundamental aspects of how it all works in the real world.

Your "awards" are for the art, not for the reproduction or printing.    The industry doesn't even know how to standardize simulated process, but I've finally done that myself.  It is amazing to see how it actually SHOULD work and that nobody has bothered to do any R&D to discover that... it proves exactly why separators do what they do and why the printers do what they do with the seps, but again it is a mathematical process and doesn't require some artistic human hand to make it work, only a decision on what mode you want to print,(stochastic, interlock, dot-on-dot, flamenco, overprint, or simulated process or a mix of them or hybrid depending on various factors that make each method have some pro's and con's) and it proves again how ignorant it all is when the blind lead the blind in a whole industry.   

But please, keep bragging about your awards that are judged on the art and not the printing.   Did they have the same printers print the same design and yours was the most accurate to the design you intended (oh yeah, not the original art, but the one you changed to have more "punch" lol.)....    So did they measure your version with the "punch" compared to the print and did they give you a % differential?     You could compare different art from different printers if you know how to measure the art-to-print differences.    But here is most likely what happens...   "judges" take a "look" at the "prints" and they vote which one they think is "the best print".    LOL.    The very definition of arbitrary.   

https://en.wikipedia.org/wiki/Liquid-crystal_display

"Each pixel of an LCD typically consists of a layer of molecules aligned between two transparent electrodes, and two polarizing filters (parallel and perpendicular), the axes of transmission of which are (in most of the cases) perpendicular to each other. Without the liquid crystal between the polarizing filters, light passing through the first filter would be blocked by the second (crossed) polarizer."

I am only writing this so others would not be fooled by your incorrect statements. Above quote is from Wikipedia. . .

pierre
Yes, we've won our share of awards, and yes, I've tested stuff and read the scientific papers, but ultimately take everything I say with more than just a grain of salt! So if you are looking for trouble, just do as I say or even better, do something I said years ago!

Offline mimosatexas

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Re: DTS alternatives and status
« Reply #34 on: October 12, 2016, 03:15:02 PM »
inkman pretty much hit the nail on the head: You always come out of the gate frothing and name calling when anyone doesn't agree with you and stroke your ego instead of actually listening to opposing points of view and discussing the merits of those points of view versus your own.  I don't know why you always assume everyone you're talking to has literally zero knowledge about a subject they have decided to discuss on this forum, when the opposite is almost universally true.

If anything the image you posted and your admissions that things "may" work if you spend a bunch more money and time to make a better unit only prove my point.  You have not come close to fully developing the idea to a point where it would even come close to competing with a cheap inkjet film setup.  Doing so would require a high resolution monochromatic LCD modified to increase UV pass through and with excessive cooling to prevent issues related to how heat effects the LCD, and in doing so you would spend a ton of time and money to maybe get a comparable setup to a $50 dollar desktop printer with stock inks.  The LCD would also degrade as it is used due to the effects of the UV and heat, and would be much more easily damaged (and expensive to replace) than a piece of film.

I wholly agree it is a cool idea, but it isn't a practical one when you consider the costs, time, and cons of the technology when compared to inkjet and film.

Offline Full-SpectrumSeparator

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Re: DTS alternatives and status
« Reply #35 on: October 12, 2016, 03:15:08 PM »
Why should anyone cut you slack?  Your first reaction to anything that does not agree with you is to get patronizing and belligerent. You have no humble in you at all. All your threads end up confrontational because that is the direction you lead every single one. If anything you created had merit (which I am not saying is the case) then the merit should stand on its own without having you disrespect anyone and everyone that has doubts. For 35 years old as you stated you have a lack of social skills when dealing with people of the same intelligence level as you. And trust me there is many here that is far more intelligent than you are and you should respect that and listen to what some of them have to say. My own opinion is you are more of a theoretical person than an experimental. Your ideas would probably go much further if you talked with people good at engineering things from ideas someone like may have.

I'm too busy working with engineers and scientists for things that are in NDA and patents to bother with your faulty assumptions.  If the critics could actually write coherent statements and back them up with facts instead of getting personal, I wouldn't get personal or get frustrated at the level of ignorance displayed.   Sorry you don't like my prose, but I'm not writing poetry here. 
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Offline mimosatexas

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Re: DTS alternatives and status
« Reply #36 on: October 12, 2016, 03:17:17 PM »
lol

Offline ol man

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Re: DTS alternatives and status
« Reply #37 on: October 12, 2016, 03:18:38 PM »
this is very interesting stuff, the DLP not the arguing

Offline Full-SpectrumSeparator

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Re: DTS alternatives and status
« Reply #38 on: October 12, 2016, 03:18:57 PM »
my statements are factual and are not saying anything about the technology not being possible, just that it ha some hurdles to overcome. You seem to be reacting and freaking out any time somebody points out things you don't agree with or have not thought of. You might want to consider sleeping on it before you post any answers in the future.

pierre

LOL!!!!   Now you're taking it to personal attacks.   Again, typical.   This is why I don't bother with this board.     Your statements are not factual, they are unqualified statements that are assumptions about the physical aspects, not facts.

You said:  "something to remember here is that the polarized glass of the LCD display will stop 50% of the light from coming through"    Which LCD panel are you talking about?   Which polarizing film?   Do you think 50% is a factual number associated with the amount of light passing through the LCD, the amount of actual UV, etc etc....  maybe its 25% maybe its 75%,  maybe its 50%,  but you clearly just threw that number out there without doing research or 'qualifying' the statement so it could be considered factual.     Again, it isn't really a hurdle to overcome any more than typical hurdles in exposure based on the tolerances and variables required.     Yes, there is a piece of polarizing film before the LCD and after the LCD, it is how it works,  but simply saying it "will stop 50% of the light" is not a factual statement, it is a generalization that could be way off when you actually qualify it.   

So do you mean 50% of the UV light at the 405nm wavelength will be stopped through a "brand/manufacturer specific" panel, which needs to be specified which one to be qualified, and of this light at a given moment in time from what is reaching the panel to what it coming through the panel, do you know the ratio of how much light is coming through the "blocked" areas of the stencil,  and do you know the comparison to this vs. the amount of light going through a piece of film and what makes it through the blocked areas?     For your statements to be factual you would need to qualify it with all of those actual physical system connections.   Otherwise it is as I stated before, just an assumption you are making.   

Do you understand the ratio between how much UV is passing and how much is being blocked?    The contrast ratio for the LCD might actually be greater than that of "specific film" with "specific ink/rip/density" or compared to DTS with the wax/ink, or with DLP.     DLP probably has the highest contrast ratio, since there is no "blocking" stencil, it is only exposing direct UV Laser or LED light onto the emulsion.   LCD might have the second highest contrast ratio because the "dark" areas might be blocking more light compared to what is passing, comparing with what film or DTS is blocking and allowing to pass.   

You might want to qualify your assumptions before you post them and claim they are factual statements.   :P

just because you are writing long paragraphs, it does not mean you actually understand what you are talking about. LCD blocks 100% of the light. It uses two polarized filters at 90 degree angles. LC bends or leaves the light as is to let it go through or block it. In order to work (depending on the design) you will need at least one polarizing filter and since they block 50% of the light, that would mean only half of the UV would pass thorough. Additionally, some screens might have a UV protective coating that could block almost all of the light.

Again, all said and done, there is no doubt in my mind that this can be done, but how well or is it worth it are the questions. Printing a piece of inkjet film is going to be significantly simpler for most ppl.

pierre

I really can't bother with responding to you anymore Pierre.    It is more than obvious that you don't know how this works, or how easy it is to do. 

First... your statement that LCD blocks 100% of the light is false.    The liquid crystals are arranged so that they PASS THE LIGHT in the OFF STATE.    Therefore without even having the panel on, I can see light passing through, it is TRANSPARENT.   Yes the polarizing filters block some of the light passing,  you overcome this with HIGH POWER like any "professional grade" exposure unit does.   I even get it to cure with cheap lights and low power and just really long times but I'm not saying that is useful or professional grade.      What happens is the charge sent to the crystals jumbles them up so they don't turn the light back 90 degrees and it doesn't pass - that is the ON state which actually makes the pixel block the light.   The amount of power sent is how they get a variation in how much light is blocked (percentage of the crystals jumbled up vs. arranged to pass the light)


The polarizing filters are already UV blocking but not 100%, so it works.    You don't need another polarizing filter. 

It doesn't matter one bit to me if you have doubts in your mind that it will work,  because it already does, LOL!   

HILARIOUS!!     And then people laughing about you not even reading my post... but you respond???   Do as you say, not as you do?    Why should I bother reading your posts anymore then?   

Just like with the color separation stuff, you think you know what you're talking about but you fail to comprehend the most basic and fundamental aspects of how it all works in the real world.

Your "awards" are for the art, not for the reproduction or printing.    The industry doesn't even know how to standardize simulated process, but I've finally done that myself.  It is amazing to see how it actually SHOULD work and that nobody has bothered to do any R&D to discover that... it proves exactly why separators do what they do and why the printers do what they do with the seps, but again it is a mathematical process and doesn't require some artistic human hand to make it work, only a decision on what mode you want to print,(stochastic, interlock, dot-on-dot, flamenco, overprint, or simulated process or a mix of them or hybrid depending on various factors that make each method have some pro's and con's) and it proves again how ignorant it all is when the blind lead the blind in a whole industry.   

But please, keep bragging about your awards that are judged on the art and not the printing.   Did they have the same printers print the same design and yours was the most accurate to the design you intended (oh yeah, not the original art, but the one you changed to have more "punch" lol.)....    So did they measure your version with the "punch" compared to the print and did they give you a % differential?     You could compare different art from different printers if you know how to measure the art-to-print differences.    But here is most likely what happens...   "judges" take a "look" at the "prints" and they vote which one they think is "the best print".    LOL.    The very definition of arbitrary.   

https://en.wikipedia.org/wiki/Liquid-crystal_display

"Each pixel of an LCD typically consists of a layer of molecules aligned between two transparent electrodes, and two polarizing filters (parallel and perpendicular), the axes of transmission of which are (in most of the cases) perpendicular to each other. Without the liquid crystal between the polarizing filters, light passing through the first filter would be blocked by the second (crossed) polarizer."

I am only writing this so others would not be fooled by your incorrect statements. Above quote is from Wikipedia. . .

pierre

So you clearly can't read or comprehend what this is saying?

"Without the liquid crystal between the polarizing filters, light passing through the first filter would be blocked by the second (crossed) polarizer."

Therefore....  WITH the Liquid Crystal between the polarizing filters, light passing through the first filter will be re-oriented so it PASSES the second filter.

Read it, comprehend it.    Admit you're wrong and let's move on. 
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Offline mimosatexas

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Re: DTS alternatives and status
« Reply #39 on: October 12, 2016, 03:23:25 PM »
Please read this fullspectrum: http://www.buildyourownsla.com/forum/viewtopic.php?t=84

Again, this technology has been discussed at length in the 3D printing industry and the pitfalls that apply to using it in ours are obvious.

Offline inkman996

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Re: DTS alternatives and status
« Reply #40 on: October 12, 2016, 03:30:53 PM »
Wow just wow. That only personal insults in this entire thread are from your posts Full Spectrum. But you just tried to convince me of the opposite. Listen when every single person that responds to you agrees you are the abrasion here at what point to you cede to that reality? It is going to be far harder to convince anyone of your ideas if your posts are littered with so much vitriol. You are talking to very intelligent successful people like they are ten year olds. All I see you have to show at 35 is you know how to push a squeegee for another printer.

As for 4k or even 8k monitors I would not be very happy when a pixel shits the bed then what? Replace an expensive monitor or have a permanent spot that can never expose?
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Offline Full-SpectrumSeparator

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Re: DTS alternatives and status
« Reply #41 on: October 12, 2016, 03:41:21 PM »
inkman pretty much hit the nail on the head: You always come out of the gate frothing and name calling when anyone doesn't agree with you and stroke your ego instead of actually listening to opposing points of view and discussing the merits of those points of view versus your own.  I don't know why you always assume everyone you're talking to has literally zero knowledge about a subject they have decided to discuss on this forum, when the opposite is almost universally true.

If anything the image you posted and your admissions that things "may" work if you spend a bunch more money and time to make a better unit only prove my point.  You have not come close to fully developing the idea to a point where it would even come close to competing with a cheap inkjet film setup.  Doing so would require a high resolution monochromatic LCD modified to increase UV pass through and with excessive cooling to prevent issues related to how heat effects the LCD, and in doing so you would spend a ton of time and money to maybe get a comparable setup to a $50 dollar desktop printer with stock inks.  The LCD would also degrade as it is used due to the effects of the UV and heat, and would be much more easily damaged (and expensive to replace) than a piece of film.

I wholly agree it is a cool idea, but it isn't a practical one when you consider the costs, time, and cons of the technology when compared to inkjet and film.

Time:  It takes like 10 to 20 minutes to take apart the LCD panel and place it on the glass and arrange the control unit and have the data cable attached.   
Money:  I might have to spend $400 for a 4k monitor.    Another few hundred for the higher power lights.    WOW.  SO much time and money its useless to try!

"Doing so would require a high resolution monochromatic LCD modified to increase UV pass through and with excessive cooling to prevent issues related to how heat effects the LCD, and in doing so you would spend a ton of time and money to maybe get a comparable setup to a $50 dollar desktop printer with stock inks."

1080p or 4k = higher resolution, done.

Monochromatic LCD???   NO, you don't need that at all...already done the research and they don't make them in large sizes which would work for screens anyway, are too expensive, the consumer level LCD full-color panels work great.   The people doing 3d are already using it for their own DIY units.   3d at the professional level requires WAY HIGHER resolution than screenprinting.... apples to oranges again.   What don't you get about how this works?   

$50 desktop printer with stock inks... .then $20, $20, $20, $20, $20, $20 -- keep buying that ink and film.... sure... the costs will always be cheaper than filmless inkless LCD right??   LOL.

"The LCD would also degrade as it is used due to the effects of the UV and heat, and would be much more easily damaged (and expensive to replace) than a piece of film."

What heat?   I had the thing sitting there for an hour and a half,  it was warm,  ... gee I just put my hand on the same monitor that is my 2nd monitor with normal backlight and it feels WARMER.    So the operating times may make it last longer than the original specs.   LOL,  tell me how the heat is going to degrade it more when it is getting less heat than normal operation?

Oh, and UV... right....  I'm sure you've researched and tested how it affects these LCD panels with this method.    I'll let you know when the LCD panel "burns out" or something from too much UV.     Let's just put one on full-time and see how long it takes to degrade it.     But damn, if we can only get 5,000 exposures out of it before the panel is ruined and needs to be replaced then its a totally useless idea and the amount of film/ink costs for those 5,000 exposures done with traditional analog methods would surely be less than a new LCD panel....  oh wait...    $1 a film x $5,000 =  $5,000.    Hmmm... that is like 10 replacement panels.... which would mean you could get 50,000 exposures (all hypothetical depending on the actual numbers we can actually measure if you just do some homework)...  so  for the same $ you can have a system that gives you 5,000 exposures or 50,000.     You're essentially replacing ink and film every time you do traditional screenmaking, sure it is easier but how much time loading the film and ink and taping it to the screen even... time = money, labor, etc...   you're saying it would not be worth it to replace the LCD panel even if it could be shown to always cost less in time and money compared to film and inkjet?   

If people would think things through before attacking with faulty logic and premises and assumptions that are incorrect, I wouldn't get so upset at the ignorance masquerading as intelligence and we could have a logical discussion that progresses through the merits, pro's and con's etc.     It isn't my fault that there is math and science and that there are rules to how they work as a language, and when you don't follow those rules it isn't math or science anymore.   
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Offline LoneWolf2

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Re: DTS alternatives and status
« Reply #42 on: October 12, 2016, 03:43:42 PM »
I'm starting to think you just like hearing/seeing yourself talk. Quit with the holier-than-thou bullshit.

Offline blue moon

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Re: DTS alternatives and status
« Reply #43 on: October 12, 2016, 03:44:38 PM »
my statements are factual and are not saying anything about the technology not being possible, just that it ha some hurdles to overcome. You seem to be reacting and freaking out any time somebody points out things you don't agree with or have not thought of. You might want to consider sleeping on it before you post any answers in the future.

pierre

LOL!!!!   Now you're taking it to personal attacks.   Again, typical.   This is why I don't bother with this board.     Your statements are not factual, they are unqualified statements that are assumptions about the physical aspects, not facts.

You said:  "something to remember here is that the polarized glass of the LCD display will stop 50% of the light from coming through"    Which LCD panel are you talking about?   Which polarizing film?   Do you think 50% is a factual number associated with the amount of light passing through the LCD, the amount of actual UV, etc etc....  maybe its 25% maybe its 75%,  maybe its 50%,  but you clearly just threw that number out there without doing research or 'qualifying' the statement so it could be considered factual.     Again, it isn't really a hurdle to overcome any more than typical hurdles in exposure based on the tolerances and variables required.     Yes, there is a piece of polarizing film before the LCD and after the LCD, it is how it works,  but simply saying it "will stop 50% of the light" is not a factual statement, it is a generalization that could be way off when you actually qualify it.   

So do you mean 50% of the UV light at the 405nm wavelength will be stopped through a "brand/manufacturer specific" panel, which needs to be specified which one to be qualified, and of this light at a given moment in time from what is reaching the panel to what it coming through the panel, do you know the ratio of how much light is coming through the "blocked" areas of the stencil,  and do you know the comparison to this vs. the amount of light going through a piece of film and what makes it through the blocked areas?     For your statements to be factual you would need to qualify it with all of those actual physical system connections.   Otherwise it is as I stated before, just an assumption you are making.   

Do you understand the ratio between how much UV is passing and how much is being blocked?    The contrast ratio for the LCD might actually be greater than that of "specific film" with "specific ink/rip/density" or compared to DTS with the wax/ink, or with DLP.     DLP probably has the highest contrast ratio, since there is no "blocking" stencil, it is only exposing direct UV Laser or LED light onto the emulsion.   LCD might have the second highest contrast ratio because the "dark" areas might be blocking more light compared to what is passing, comparing with what film or DTS is blocking and allowing to pass.   

You might want to qualify your assumptions before you post them and claim they are factual statements.   :P

just because you are writing long paragraphs, it does not mean you actually understand what you are talking about. LCD blocks 100% of the light. It uses two polarized filters at 90 degree angles. LC bends or leaves the light as is to let it go through or block it. In order to work (depending on the design) you will need at least one polarizing filter and since they block 50% of the light, that would mean only half of the UV would pass thorough. Additionally, some screens might have a UV protective coating that could block almost all of the light.

Again, all said and done, there is no doubt in my mind that this can be done, but how well or is it worth it are the questions. Printing a piece of inkjet film is going to be significantly simpler for most ppl.

pierre

I really can't bother with responding to you anymore Pierre.    It is more than obvious that you don't know how this works, or how easy it is to do. 

First... your statement that LCD blocks 100% of the light is false.    The liquid crystals are arranged so that they PASS THE LIGHT in the OFF STATE.    Therefore without even having the panel on, I can see light passing through, it is TRANSPARENT.   Yes the polarizing filters block some of the light passing,  you overcome this with HIGH POWER like any "professional grade" exposure unit does.   I even get it to cure with cheap lights and low power and just really long times but I'm not saying that is useful or professional grade.      What happens is the charge sent to the crystals jumbles them up so they don't turn the light back 90 degrees and it doesn't pass - that is the ON state which actually makes the pixel block the light.   The amount of power sent is how they get a variation in how much light is blocked (percentage of the crystals jumbled up vs. arranged to pass the light)


The polarizing filters are already UV blocking but not 100%, so it works.    You don't need another polarizing filter. 

It doesn't matter one bit to me if you have doubts in your mind that it will work,  because it already does, LOL!   

HILARIOUS!!     And then people laughing about you not even reading my post... but you respond???   Do as you say, not as you do?    Why should I bother reading your posts anymore then?   

Just like with the color separation stuff, you think you know what you're talking about but you fail to comprehend the most basic and fundamental aspects of how it all works in the real world.

Your "awards" are for the art, not for the reproduction or printing.    The industry doesn't even know how to standardize simulated process, but I've finally done that myself.  It is amazing to see how it actually SHOULD work and that nobody has bothered to do any R&D to discover that... it proves exactly why separators do what they do and why the printers do what they do with the seps, but again it is a mathematical process and doesn't require some artistic human hand to make it work, only a decision on what mode you want to print,(stochastic, interlock, dot-on-dot, flamenco, overprint, or simulated process or a mix of them or hybrid depending on various factors that make each method have some pro's and con's) and it proves again how ignorant it all is when the blind lead the blind in a whole industry.   

But please, keep bragging about your awards that are judged on the art and not the printing.   Did they have the same printers print the same design and yours was the most accurate to the design you intended (oh yeah, not the original art, but the one you changed to have more "punch" lol.)....    So did they measure your version with the "punch" compared to the print and did they give you a % differential?     You could compare different art from different printers if you know how to measure the art-to-print differences.    But here is most likely what happens...   "judges" take a "look" at the "prints" and they vote which one they think is "the best print".    LOL.    The very definition of arbitrary.   

https://en.wikipedia.org/wiki/Liquid-crystal_display

"Each pixel of an LCD typically consists of a layer of molecules aligned between two transparent electrodes, and two polarizing filters (parallel and perpendicular), the axes of transmission of which are (in most of the cases) perpendicular to each other. Without the liquid crystal between the polarizing filters, light passing through the first filter would be blocked by the second (crossed) polarizer."

I am only writing this so others would not be fooled by your incorrect statements. Above quote is from Wikipedia. . .

pierre

So you clearly can't read or comprehend what this is saying?

"Without the liquid crystal between the polarizing filters, light passing through the first filter would be blocked by the second (crossed) polarizer."

Therefore....  WITH the Liquid Crystal between the polarizing filters, light passing through the first filter will be re-oriented so it PASSES the second filter.

Read it, comprehend it.    Admit you're wrong and let's move on.

just for you and your engineers, I'll spell this out again (try reading slowly, maybe you'll get it this time!).

Before the light hits the Liquid Crystal part, it has to go through a polarizing filter. Polarizing filters by nature eliminate all the light in one direction (out of two, so 50% of the light). Thus, light has been reduced by 50% before it ever enters the LCD part.





   1 Polarizing filter film with a vertical axis to polarize light as it enters.
    2 Glass substrate with ITO electrodes. The shapes of these electrodes will determine the shapes that will appear when the LCD is switched ON. Vertical ridges etched on the surface are smooth.
    3 Twisted nematic liquid crystal.
    4 Glass substrate with common electrode film (ITO) with horizontal ridges to line up with the horizontal filter.
    5 Polarizing filter film with a horizontal axis to block/pass light.
    6 Reflective surface to send light back to viewer. (In a backlit LCD, this layer is replaced with a light source.)

Image from the wikipedia lcd page


pierre
« Last Edit: October 12, 2016, 03:49:02 PM by blue moon »
Yes, we've won our share of awards, and yes, I've tested stuff and read the scientific papers, but ultimately take everything I say with more than just a grain of salt! So if you are looking for trouble, just do as I say or even better, do something I said years ago!

Offline Full-SpectrumSeparator

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Re: DTS alternatives and status
« Reply #44 on: October 12, 2016, 03:45:08 PM »
Please read this fullspectrum: http://www.buildyourownsla.com/forum/viewtopic.php?t=84

Again, this technology has been discussed at length in the 3D printing industry and the pitfalls that apply to using it in ours are obvious.


Already read that and much more, years ago, long before I started making some prototypes.   Was considering SLA back in 2010 for just making entire screens, but that is a long way out. 

Did you see what I said about resolutions required for 3d printing compared to screenprinting?   apples to oranges
"Science and invention benefited most of all from the printing press."   https://www.youtube.com/user/FullSpectrumVideo  ||  https://sellfy.com/planetaryprints