Opportunity is missed by most people because it is dressed in overalls and looks like work. - Thomas Edison
I think there are 3 players in the CTS industry with a 4th that could be but they don't get out there enough and aren't prominent (actually zero presence) in public forums and even their attempts at showcasing their machine at shows is sort of half-assed it seems to me. I personally think their machine is one of, if not the best overall but I'd like to see more of them out there. I don't think I've heard one shop talk about that CTS machine in many years of it being out there.I believe that Exile, Douthitt and M&R are the ones to look at if you're serious about CTS. There are 4 others out there that I know of and probably a few fringe CTS companies trying to break through. The group of 4 I think struggle for some reason and I wonder if it's how they go about getting recognition for their machines or the machines themselves don't perform well enough.
What you really want to do, is to view or witness the production flow of a multi color art file all the way to exposure and setup on press. Use an actual test file (of your own multi color work), and find a shop that has a machine that you are looking at and witness it being processed all the way thru to setup on press.There are many things to consider for CTS. The decision to go from Films to DTS are one thing, and each DTS company can provide "similar" scenarios to justify why it's just better than film. When comparing CTS to CTS, Here are a few of the basics and more important ones to mention not necessarily in any order.MACHINE COST, Self explanatory. All of the factors below, will weigh out on the cost.
Production speed and ease of use (in art department) Generally speaking, most, models have a RIP that can have the artist send most art files (to the RIP) and the RIP will separate and also convert to halftone. The RIP process, is not always including the color separations work for you, so for some, that must be done manually before sending to the RIP.
Imaging speed. This would be the time it takes the printer to output the image to the screen. There are speed options and ink lay down options on each model. This can be tricky, so make sure you are comparing apples to apples or speed settings to speed settings.
Screen loading speed . This would be the speed of the time setting/loading the screen into place, and pushing print. (often overlooked or disregarded as non consequential). I've seen some other models that take a long time to get it into position.
Image quality. Onto the screen and how it exposes. (are you holding good detail in shadows and in highlights. Is the pass setting providing an opaque image with accurate detail? Does the RIP provide you with features that enable to you to adjust or control dot gain?
Easy of machine use, (User friendly) for anyone. This can be important, because as you know, employees come and go and more so with some shops. Training can be easy or difficult and that can impact a shop that has a high turnover of employees in a screen room.
INK/WAX usage per screen and cost per litter/unit. This cost can be very low when compared to films and production time invested with film usage. When compared between DTS to DTS, or WAX to INK versus the number of screens you can achieve with WAX versus INK and each production speeds with different model, can be substantial enough (for some shops). For example, it may not be a factor worth considering for small shops who may do 50 screens per day, but it can have an impact on a shop who does 400 screen per day.
Exposure options How will you expose your screens using this device?
Customer Service. What is the reputation of the machine and company providing the machine. Is it a proven machine in the industry. (This is why you are here posting).
I'm sure I'm missing a few more good things to look at, but this is a good start.
Number 4 of CTS Ivy League being KIWO? Who do you see as 4 more?Boris
I'd like to do a CTS roll call on this forum where everyone with a CTS states which unit they run and maybe some additional info as to what they like or do not like about their experience with them.
Quote from: alan802 on January 19, 2015, 10:43:57 AMI'd like to do a CTS roll call on this forum where everyone with a CTS states which unit they run and maybe some additional info as to what they like or do not like about their experience with them. I'll play.I started at a new shop a few months ago and they had a new CTS from Douthitt up and running maybe 6 months or less before I got there.I have to say - if it was an unreliable, clunky, finicky machine, the quality of images it can produce is so good I would gladly take the hassles.However, there are no real hassles to speak of so far. It is built like a military robot and produces excellent screens, every day. The choke point in the screen room is no longer the imaging, and the time and money saved not dealing with films is immeasurable. (Oh and it's Tri-Lock compatible...)I will say the UI on the software is a bit meh, but who cares.Our next step is upgrading the exposure end of things. This is now the bottleneck where before it was a non-issue. (MSP 3140)
Quote from: BorisB on January 20, 2015, 03:18:49 PMNumber 4 of CTS Ivy League being KIWO? Who do you see as 4 more?Boris Richmond, Lawson, Acti-Camera, Kiwo, M&R, Douthitt, Exile are the ones that I know of. I keep thinking I'm missing one though...anybody got another player in the CTS game?
Is any of board users using Exile/Oyo Spyder CTS unit? Happy with it? Support? Realiabilty? I beleived it was same unit as Kiwo, Olec, Douthitt... Mark from Exile told me, they actually build better electronics with more control, faster speeds. Thus their unit is not the same.